Postcards of Bantsuma and Chiezo from Makino Masahiro's Chushingura (1938).
Online Criticism

(Organized by author. Writing on the research end of the spectrum is indicated with an asterisk (*). Browsers without Japanese capability will read Japanese-only articles as garbage).


*Fujii Jinshi, $@!V2H$+$iDq93$X(!(!@.@%L&4nCK$N!X=w@-1G2h(J $@!Y!W(J $@!!(J

Gerow, Aaron, Film Reviews on Kinema Club

*--- "Swarming Ants and Elusive Villans: Zigomar and the Problem of Cinema in 1910s Japan"

Goto Taro, "Mr. Goto Goes on Location of Oshima's New Film"

*Hase Masato,$@!V%j%e%_%(!<%k7;Do$N%"%k%1%*%m%8!$@!!(J

Iimura Takahiko interview

Ichikawa Jun interview (by Mark Schilling)

Iimura Takahiko, "On 'Reflected Cinema'"

*Itakura Fumiaki,$@!V!X0KF#OC=Q!Y$H$O$J$K$+(J---$@0KF#BgJeO@=x@b!W(J$@!!(J

Kamei Fumio after-film discussion (by Makino Mamoru; English, Japanese)

Kato Mikiro, *"The Western: The Neutral Zone Between Wilderness and Civilization"

*--- "Mizoguchi Film of Rumor, Production and Emotional Register"

*--- "A History of Movie Theaters and Audiences in Postwar Kyoto, the Capital of Japanese Cinema"

Komatsu Hiroshi, "Questions Regarding the Genesis of Nonfiction Film" (English, Japanese)

Kogawa Tetsuo, *"Adorno's Strategy of 'Hibernation'"

*--- Beyond Electronic Individualism

*--- "The Electronic Body at the End of the State: Ethnicity, National Identity, and the Japanese Emperor System"

*--- "Japan as a Manipulated Society

*--- "New Trends in Japanese Popular Culture"

*---"Toward a Reality of "Reference": The Image and the Era of Virtual Reality" (English, Japanese)

*--- "Toward Polymorphous Radio"

*---"Video: The Access Media"

Kudo Mitsuro interview (by Aaron Gerow and Monma Takashi; English, Japanese)

*Lee Young-Il, "The Establishment of a National Cinema Under Colonialism: The History of Early Korean Cinema"

Loeffler, Carl Eugene, "I am Not Taka Iimura"

*MacDonald, Scott, "The Films of Takahiko Iimura" (Excerpt)

Matsumoto Toshio interview (by Aaron Gerow; English, Japanese)

Mekas, Jonas, "I saw my first Iimura film in 1964...,"

*Nornes, Abˇ Mark, "P$@QS(Ju R$@[U(Ja/Paul Rotha and the Politics of Translation"

---"From Copy Machine to Computers: Collaboration and Kinema Club"

*Nornes, Abˇ Mark and Yeh Yueh-yu, "Narrating National Sadness" (on Ozu and Hou Hsiao-hsien)

Noto Setsuo and Komori Shizuo interview about the prewar proletarian film movement (by Makino Mamoru and Aaron Gerow; English, Japanese)

Oki Hiroyuki interview (English, Japanese)

Sato Tadao, "An Introduction to Early Japanese Cinema"

--- $@!V%"%8%"1G2h!&AmO@!W(J$@!!(J

Schilling, Mark, "Gamera 3"

*---"Godzilla"

Tamura Masaki interview (by Kanai Katsu; English, Japanese)

Tanaka Noboru interview (by Toki Akihiro)

Terada Torahiko, $@!X1G2h;~Be!Y(J

Toki Akihiro, *$@!V2#ED>&2q?@@t1q8=A|=j$O$I$3$K$"$C$?$+(J ----$@5~ET1G2h;K8&5f=x@b#2!W(J$@!!(J

--- $@!V0&$9$Y$-1:EgB@O:$?$A$NJ*8l(J---$@!X%S%j%1%s!Y!W(J$@!!(J

*Toki Akihiro and Mizuguchi Kaoru, "A History of Early Cinema in Kyoto, Japan (1896-1912) Cinematographe and Inabata Katsutaro"

Tsuchimoto Noriaki interview (by Aaron Gerow; English, Japanese)

*Julie Turnock, "The Singing Samurai: George Lucas and SMAP"

*Ueno Toshiya, "Japanimation and Techno-Orientalism" (English, Japanese)